The vocals bouncing around between the five singers spiked the intensity of the songs, none more so than that moment on “Welcome to the Machine,” when the ladies chimed in with “It’s alright we told you what to dream!” Waters, at 74, hasn’t lost more than about 10 percent of his voice, and he still has a hundred percent of the edge. ![]() And they are very, very striking vocally, equipped for everything the Floyd catalog throws at them and more, most notably the operatic runs on “The Great Gig in the Sky.” ![]() Not only was the sound system crystal, he had two singer-guitarists - the familiar David Kilminster and Jonathan Wilson - in the Gilmour role, and moving to the front of the stage were Jess Wolfe and Holly Laessig, the ladies of Lucius, who, with their platinum bobs and synched movements, were as striking visually as they were vocally. Rarely has concert video been so compelling or suited to the music.Īnd with apologies to David Gilmour, it’s hard to remember these Floyd songs ever sounding better. We would see her again throughout the show, and learn of her devastating loss, on a screen that delivered all the stunning, beautiful-to-horrific imagery we’ve come to know from Waters and Floyd. We were greeted with a massive screen showing the tranquil image of woman in a parka sitting on a desolate beach with wind and oceans coming from every direction. Waters touched on similar anti-war, anti-capitalist themes as “The Wall” tour, which stopped here twice (most recently in 2013), but having the full reign of this catalog, including the new album, “Is This the Life We Really Want?,” made it much more of a direct hit. General Assembly and threatened another country and millions of people with total destruction, lending an additional air of immediacy to the proceedings. The concert, themed around the rise of Donald Trump, came just hours after the president stood before the U.N. Waters kept us on edge for every minute of a two-and-a-half hour show and even during the intermission, using startling sound effects to make it seem, almost believably so, that the building was under siege. In fact “concert” doesn’t even describe immersive theater experience he has created with the Us + Them tour that pulled into the PPG Paints Arena Tuesday night. ![]() Back in the hazy ’70s, Pink Floyd set the standard for concert production and now in his 70s Roger Waters continues to raise the bar.
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